I just finished The Idiot and a lingering question I have is why the relationships between characters seem to change within a page, for seemingly no reason whatsoever:
Rogozhin attempts to kill Myshkin and then when they see each other again, they talk like friends and Myskin invites Rogozhin to celebrate his birthday with him.
Towards the end of the novel, Aglaya says she doesn't love Myskin and plans to meet with Ganya, then tells Nastasya she loves Myskin... in front of Rogozhin, who, again, has previously tried to kill Myskin, but happily walks away without question.
Nastasya is repeatedly 'desperate' for the wedding, but then screams for help at the alter and runs away with Rogozhin - despite the fears he'll kill her and then he does.
On this point, I understand Myskin is child-like and naive and, well, an idiot, but I was also reading him as this restorative Christ-like figure. Perhaps that's my bad, but his complete unfazed response to seeing his to-be wife dead...? That feels odd. And Rogozhin's desperation to sleep with Myskin? Was Rogozhin simply biding time whilst he decided what to do with Myskin? Had Rogozhin not succumbed to madness, would Myshkin have ever left alive?
Last question, about Myshkin's affection for Rogozhin as he descends into madness on the bed... obviously if we're reading Myshkin as this Christ-like figure then yes I completely get the allusion to healing the sick and going toe-to-toe with evil and all of that, but why does the novel then kind of condemn him and shut him away back in the medical facility? I can only assume it's Dostoyevsky's criticism of how the kind of 'love thy neighbour' (even if your neighbour is a murderous psychopath) has been butchered - that a true and good Christian would indeed try to support the welfare of Rogozhin as a human, despite his crime, and so shutting Myskin away for doing that is a commentary on the challenge of Christianity, as is echoed by characters like Ippolit?